Multiplicity: Blackness in Contemporary American Collage is the first major museum exhibition devoted to exploring the breadth and complexity of Black identity and experiences in the United States through collage. Works by multiple generations of living artists examine concepts such as cultural hybridity, gender fluidity, historical memory, and notions of beauty and power. By assembling […]

Katrina Moorhead’s (of) Everything Island is an assembly of evocative sculptural objects interacting with one another in the main gallery. Building off Moorhead’s sensitivity to materials’ potential for expansive storytelling, these objects explore places where the veil between the real and the otherworldly is thin and porous. The works reimagine aspects of the natural world, […]

In the summer of 1905, Henri Matisse and André Derain embarked on a creative partnership that would change the course of French painting. The two painters experimented with daring directions in energetic bursts of color, form, and structure that eventually led to a boldly inventive artistic language known as Fauvism (from the French fauve, or […]

Kehinde Wiley: An Archaeology of Silence showcases Kehinde Wiley’s new, monumental body of work, with large-scale paintings and sculptures of men and women in repose. Through his work, with detailed portrayals of Black and Brown individuals, the artist confronts the silence surrounding systemic violence and injustice. In this body of work, Wiley uses the visual […]

Early African American settlers in Houston’s Third Ward area established small worship places, reminiscent of the praise houses attended during slavery in the Jim Crow era. The intimate and personal size of the congregations created bonds in the community that would last for more than 90 years. Images of the still-standing small houses of worship, […]